<-- Back |
Mozart in Salzburg and Beyond
New Perspectives Contents Abbreviations Introduction, Simon P. Keefe Part I: Mozart in Salzburg and Beyond The Cassation in Salzburg, Ulrich Leisinger Il sogno di Scipione: One Dream, Two Archbishops, Four Interpreters, Laurel E. Zeiss A Lesson from Fux: Species Counterpoint and Fugal Technique in Three String Quartet Finales of Wolfgang Amadeus Mozart (K. 168, 173, 387), James S. MacKay “Nam nihil est in intellectu, quod non prius fuit in sensu”: Leopold Mozart’s Versuch einer gründlichen Violinschule as a Reflection of Musical Humanism in Eighteenth-Century Salzburg and Beyond, Walter Kurt Kreyszig Prague vs. Salzburg: Patriotism and Isolationism in the Debates about the Bohemian Mozart-Denkmal and Bertramka, Martin Nedbal Part II: Church Music in Salzburg Pietas christiana (Salzburg, 1770): A Latin Play with Music by Michael Haydn, John A. Rice Vestiges and Quotations of Gregorian Chant in the Orchestral Masses of W. A. Mozart and Michael Haydn, Erick Arenas Motto Technique in Mozart’s Church Music of 1774, Amy K. Holbrook Part III: Mozart and Opera Dorothea Wendling’s Dramatic Profile and Mozart’s Ilia, Magnus Tessing Schneider Vestiges of Plague Literature in Mozart’s Idomeneo, Steven N. Machtinger Constructing, Reconstructing, Deconstructing Mozart: L’oca del Cairo in Salzburg (1936), Karina Zybina Constructing Pamina’s “Ach, ich fühl’s” as a Siciliana Lament, Mítia D’Acol Sets, Staging, and Spectacle in Early Performances of Die Zauberflöte, Miguel Arango Calle |
Web site and database © 2001–2020 Steglein Publishing, Inc.
| Home | Editions | Books | Database | Online Texts | About | Cart |
