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Haydn and His Contemporaries Contents Preface Contributors Part 1 Haydn Michael Haydn’s Wanderjahre, 1754–1759: Where was he, and when?, Charles H. Sherman The Earliest Biographies of Haydn and the Ideals of Normalcy, Ellis Anderson Haydn, Handel and the Concerts of Ancient Music, Graydon Beeks Haydn’s Debt to Cimarosa, Ethan Haimo Tonal Diversity and Formal Variety in Haydn’s Seven Last Words, James S. MacKay Methods of Large-Scale Rhythmic and Tonal Organization as Stylistic Features of Haydn’s Instrumental Music, Jason Yust Middles and Muddles: Haydn’s Compositional Style and Sonata Forms, Jan Miyake Part 2 Haydn’s Contemporaries Court Musicians at Anhalt-Zerbst: New Sources for Eighteenth-Century Employment Practices, Barbara M. Reul The French Vocal Romance and the Sorrows of Exile in the Early American Republic, Emily Laurance Federalists, Immigrants, and Wild Irish Savages: The Development and Influence on National Identity of the Eighteenth-Century American Symphony, Bertil van Boer A Reassessment of Carl Friedrich Zelter’s Compositional Career through his Viola Concerto in E-flat Major, Paul Luongo Thomas Alexander Erskine (1732–1781) and the Practice of Modeling, Matthew J. McAllister European Music in Colonial America: The Moravians as Transmitters of a Culture, Nola Reed Knouse |
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