<-- Back |
SECM 2021
Courts, Colonies, and Cosmopolitan Exchange Contents Preface Introduction Contributors Stanislavian Warsaw and the Universality of Eighteenth-Century Operatic Culture, Anna Parkitna The Peasant at the Piano, or Did the Duchess of Courtland Sing in Latvian?, Māra Grudule Court Society and the Hunt: Liminal Intersections in Two Characteristic Sinfonias of Gottlob Harrer, R. Todd Rober Reclaiming the Cantata Mass: Vanhal, Haydn, and Formal Continuities in the Viennese Gloria, Halvor K. Hosar An Academy of Academies: The Cultural Transfer of the “Academy of Music” to Sweden, Erik Wallrup African American Presence and Anti-Slavery Ideology in the Operatic Culture of Mozart’s Vienna, Pierpaolo Polzonetti Jacques Cazotte and the Colonial Context of the Querelle des Bouffons, Callum Blackmore William Herschel’s Gravitational Theory of Music Expression, Sarah Clemmens Waltz Ecclesiastical Models in Mozart’s Second Thamos Chorus, "Gottheit, über alle mächtig!", Karina Valnumsen Hansen Hamburg Celebrating Gustav: C. P. E. Bach’s Chorus Spiega, Ammonia fortunata, Paul Corneilson |
Web site and database © 2001–2020 Steglein Publishing, Inc.
| Home | Editions | Books | Database | Online Texts | About | Cart |
