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Music in Eighteenth-Century Culture Contents Preface Contributors Theatrical Politics and Public Opera in Late Eighteenth-Century Russia, Elise Bonner The Editor from Hell: Information and Misinformation on Chinese Music in Late Eighteenth-Century France, Stewart Carter Who Laughs Last? The Dancer in Haydn’s Concert Minuets, Chantal Frankenbach An Answered Prayer but an Unlikely Oratorio: Music for the Birth of a Portuguese Princess, Danielle M. Kuntz Embracing Fashionable Taste: Evidence of Stylistic Evolution in the Symphonies of William Herschel (1738–1822), Sterling E. Murray Performance History of Georg Philipp Telemann’s Musicalisches Lob Gottes (Nuremburg, 1742–1744), Nicholas E. Taylor Defining the Self: Carl Philipp Emanuel Bach’s Autobiography as an Attempt at Self-Fashioning in the Middle of the Eighteenth Century, Markus Rathey Finding Eurydice’s Voice: Staging Gluck’s Orfeo ed Euridice in London, Munich, and Berlin, Eric Schneeman |
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